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Keywords: Darkness is Coming|
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Darkness is Coming
Genre: Unclassifiable
Time: 2:51 Instruments: Synths, Percussion, Choir
73 BPM (Adagio - Somewhat Slow)
ISRC: USUAN1100584
© 2009 Kevin MacLeod
| Featured! Quiet yet epic. This piece is an odd mix. Highly processed drum kit. Dark, Eerie, Epic, Intense
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Gathering Darkness
Genre: Horror
Time: 4:25 Instruments: Synths
unknown tempo
ISRC: USUAN1100849
© 2011 Kevin MacLeod
| Screeching dark, electronically chattery. Nightmarish.
Dark, Eerie, Mysterious, Unnerving
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Amazing Plan - Distressed
Genre: Silent Film Score
Time: 1:27 Instruments: Piano
129 BPM (Allegro - Pretty Fast)
ISRC: USUAN1100738
© 2010 Kevin MacLeod
| With elements of a quick Russian polka playing in the immigrant section of industrial-era New York City, this piece is mainly in a minor key, but at the halfway point changes to a major key, reversing the feel and tone for a few seconds, before reverting to the darkness of the minor key. Bouncy, Dark
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Amazing Plan
Genre: Silent Film Score
Time: 2:07 Instruments: Piano
129 BPM (Allegro - Pretty Fast)
ISRC: USUAN1100737
© 2010 Kevin MacLeod
| SmartSound enabled This track is available in many lengths.
Customize this royalty free music track online at SmartSound! With elements of a quick Russian polka playing in the immigrant section of industrial-era New York City, this piece is mainly in a minor key, but at the halfway point changes to a major key, reversing the feel and tone for a few seconds, before reverting to the darkness of the minor key. Bouncy, Dark
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Second Coming - no percussion
Genre: Soundtrack
Time: 2:12 Instruments: Orchestra
64 BPM (Adagio - Somewhat Slow)
ISRC: USUAN1100674
© 2010 Kevin MacLeod
| A loop-based piece, I've gotten a lot of requests for a version of this with no percussion or voice - so here you go. Broad and inspiring.
Epic, Uplifting
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Road to Hell
Genre: Soundtrack
Time: 1:51 Instruments: Piano and bass
80 BPM (Andante - Medium Speed)
ISRC: USUAN1100507
© 2008 Kevin MacLeod
| A slow dark piece featuring a piano, bass duet. Begins with bass, then immediately piano comes in. Piece has continuous bass with piano coming in and out. Finishes with prolonged bass note. Dark, Eerie, Mysterious
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The Second Coming
Genre: Soundtrack
Time: 2:26 Instruments: Kit, Trombones, French Horns, Strings
128 BPM (Allegro - Pretty Fast)
ISRC: USUAN1100501
© 2008 Kevin MacLeod
| A sound track piece with Kit and Trombones/French Horns throughout. This piece includes sections from a public domain (librivox) reading of "The Second Coming."
Eerie, Mysterious, Unnerving
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The Second Coming Instrumental
Genre: Soundtrack
Time: 2:26 Instruments: Kit, Trombones, French Horns, Strings
128 BPM (Allegro - Pretty Fast)
ISRC: USUAN1100502
© 2008 Kevin MacLeod
| A sound track piece with Kit and Trombones/French Horns throughout.
Eerie, Mysterious, Unnerving
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Darkness Speaks
Genre: Stings
Time: 0:25 Instruments: Gong, Synths
unknown tempo
ISRC: USUAN1100364
© 2007 Kevin MacLeod
| Dark, Eerie, Mysterious, Unnerving
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Rumination
Genre: Soundtrack
Time: 2:52 Instruments: Piano, Orchestra
unknown tempo
ISRC: USUAN1100354
© 2007 Kevin MacLeod
| After everything is said and done and you have time to look back, this piece unfolds like one's mind coming to terms with situations of gravity. Somber, Uplifting
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Long Time Coming
Genre: Electronica
Time: 4:34 Instruments: Electronic, Synth
120 BPM (Allegro - Pretty Fast)
ISRC: USUAN1100173
© 2006 Kevin MacLeod
| Tense and mercurial, ?Long Time Coming? begins with a slow, frenetic crescendo, and at 0:40 builds into the main melody with heavy percussion. At 1:04 the percussion is tacit, and at 1:18 a rippling crescendo builds to long, demented pulls on the string bass. The percussive beat begins again at 2:18, and then the frenzied, reverbed staccato of the piano enters, accompanied by a swelling synth lead. At 3:40 the piece finds it?s stride with pulsating synthesizer effects and a rumbling bass line. Best used as accompaniment for a tense, difficult level of a game or as the final battle with a villain. Because of its steady bass beat and snyth effects, this could also work well to depict a tense and suspenseful race to the finish, or as the music playing during a vibrant, pounding rave. Driving, Action, Grooving
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©1998-2013 Kevin MacLeod
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