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Tempo Genre Length
Long Note Two
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Long Note Two Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Long Note Two"

Instruments: Basses, Violins, Piano

Feel: Dark, Eerie, Mysterious, Suspenseful, Unnerving

Heavy effects on an arhythmic piano, and very deep bass.

ISRC: USUAN1100420
Uploaded: 2008-02-27

0 bpm Soundtrack 7:42
Long note One
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Long note One Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Long note One"

Instruments: Basses, Violins

Feel: Dark, Intense, Suspenseful, Unnerving

Just a very long pad for use under dialog.

ISRC: USUAN1100418
Uploaded: 2008-02-15

0 bpm Soundtrack 7:20
Fluidscape
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Fluidscape Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Fluidscape"

Instruments: Synths, Flute, Harp

Feel: Calming, Mystical, Relaxed

Very long, cool, relaxed piece - no surprises, though the timbre does change from time to time.
This piece is available uncompressed WAV file of this file here (with some exclusive bonus material). You can get even more bonus content with the Mega Ambient download here!

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ISRC: USUAN1100393
Uploaded: 2007-12-29

0 bpm Unclassifiable 30:21
Almost in F
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Almost in F Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Almost in F"

Instruments: Piano, Basses

Feel: Calming, Mystical, Relaxed

Very long, very slow, trance-inducing piece... 36 cents sharp of the key of F. Yes, there is a good reason for that. No, I'm not going to explain it.
This piece is available uncompressed WAV file of this file here (with some exclusive bonus material). You can get even more bonus content with the Mega Ambient download here!

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ISRC: USUAN1100394
Uploaded: 2007-12-29

0 bpm Unclassifiable 32:42
Welcome to the Show
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Welcome to the Show Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Welcome to the Show"

Instruments: Guitar, Bass, Kit, Horns, Synth

Feel: Action, Driving

A one-chord wonder designed to open a show. It has a long lead out for fading. Modulation about halfway through.

ISRC: USUAN1100013
Uploaded: 2007-01-01

124 bpm Rock 4:42
We Got Trouble
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We Got Trouble Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"We Got Trouble"

Instruments:

Feel: Dark, Epic, Action

Super action, but still a bit restrained. Quite a long cue with a few changes on the inside.

ISRC: USUAN1100015
Uploaded: 2006-01-01

0 bpm Soundtrack 4:41
Long Stroll
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Long Stroll Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Long Stroll"

Instruments: Brushed Kit, Trumpet, Bass, Piano

Feel: Relaxed, Bouncy, Humorous

Not sure what this is... Reminds me of a 1940's film... maybe a musical? Jazz combo with Fluglehorn, EP improv in the middle.

ISRC: USUAN1100174
Uploaded: 2006-01-01

98 bpm Jazz 4:14
Noble Race
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Noble Race Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Noble Race"

Instruments: Orchestral - Full

Feel: Intense, Action, Epic, Driving, Mysterious,

Full orchestra plus piano. This is a long piece with several dynamic changes. Semi-heroic at times.

ISRC: USUAN1100888
Uploaded: 2006-01-01

0 bpm Soundtrack 5:15
Long Time Coming
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Long Time Coming Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Long Time Coming"

Instruments: Electronic, Synth

Feel: Driving, Action, Grooving

Tense and mercurial, ?Long Time Coming? begins with a slow, frenetic crescendo, and at 0:40 builds into the main melody with heavy percussion. At 1:04 the percussion is tacit, and at 1:18 a rippling crescendo builds to long, demented pulls on the string bass. The percussive beat begins again at 2:18, and then the frenzied, reverbed staccato of the piano enters, accompanied by a swelling synth lead. At 3:40 the piece finds it?s stride with pulsating synthesizer effects and a rumbling bass line. Best used as accompaniment for a tense, difficult level of a game or as the final battle with a villain. Because of its steady bass beat and snyth effects, this could also work well to depict a tense and suspenseful race to the finish, or as the music playing during a vibrant, pounding rave.

ISRC: USUAN1100173
Uploaded: 2006-01-01

120 bpm Electronica 4:34
Cognitive Dissonance
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Cognitive Dissonance Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Cognitive Dissonance"

Instruments: Electronic

Feel: Driving, Aggressive, Action

Main theme used in two different treatments. Specifically designed to turn your brain around... one sort of gets lost in the fog in the middle, and ends up pointing the wrong way by the end. Starts with a very long slow fade.

ISRC: USUAN1100289
Uploaded: 2006-01-01

120 bpm Electronica 4:48
Divertissement - Pizzicato (from the ballet Sylvia)
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Divertissement - Pizzicato (from the ballet Sylvia) Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

"Divertissement - Pizzicato (from the ballet Sylvia)"

Instruments: Orchestral - Pizz strings, Clarinet, Horn

Feel: Humorous,

Delibes. I am astounded that there are so few recordings of this piece on the net... for a few reasons. 1. Everyone knows this piece (but nearly no one knows what it is called). 2. It is very easy to record (Pizzicato strings have been one of the few samples that have sounded "real" for a long time). 3. The composer is long dead and his stuff is in the Public Domain (Lo Delibes; 1891). And for some background... Sylvia is a 3-Act ballet first produced in 1876. I'm pretty certain this particular piece has nothing to do with the plot - or it wouldn't be called a "divertissement".

ISRC: USUAN1100256
Uploaded: 2005-01-01

140 bpm Classical 1:35




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