Ok, I’ve been holding out on you guys. I’m working on a feature film right now, so I’m kind of taking the time I used to use for posting new things and using it to create new things.
Here’s a selection of pieces.

• Chase
  
• Supernatural
  
• Dark Dance
  

First this movie was called Slusho, then it was called Cheese, and finally the production crew realized they needed a real title, so they ended up with Cloverfield… which still isn’t a real title, it having been used as a code name to disguise what they were working on, but it did certainly help add to the air of mystery while they were hyping it. People have been wondering what Cloverfield is supposed to mean for months, and what more could a moviemaker want? Well, maybe a Steadicam, but I suppose that wouldn’t have given quite the effect they were after.
We start in Manhattan in April, except it jumps to May right away, but you’ll understand that when you see it. A group of twenty-somethings are throwing a surprise party for their friend Rob Hawkins (Michael Stahl-David), who’s leaving to take a job in Japan. This is apparently a tip of the hat to the old Godzilla movies, none of which I’ve seen personally, but without which, I’m sure this movie would never have been made.
Rob’s brother Jason (Mike Vogel), and Jason’s girlfriend Lily (Jessica Lucas), are the driving forces behind the party, but when Lily insists that Jason be the head cameraman and record the party as a souvenir for Rob, he doesn’t want to do it and hands off the camera (actually Rob’s camera, apparently borrowed for the occasion in true brotherly fashion) to best friend and helpful nerd Hud (T.J. Miller). Hud would prefer to video Marlena (Lizzy Caplan), on whom he has a crush, but quickly learns to take his duty way, way too seriously. And don’t worry if none of these actors sound familiar to you, because I didn’t know any of them, either, but I think a cast of unknowns was what they were after, to make it seem more real.
And it does seem real, for the most part, which is both good and bad. It’s good because you end up feeling involved in the story and the characters’ lives; but it’s bad in that you can also easily end up sick to your stomach. Not because it’s gory — it is in places, but not nearly so bloody as it might have been — but because the camera stops moving about three times in the course of the film. The remaining 87 minutes, it’s in at least slight motion, and sometimes fails around like — well, like the person holding it is running for his life, so we’re back to the realism again, but it still didn’t do my stomach any good. And don’t even get me started on what it’s like when the auto-focus goes out of control. Just be warned.

Now sit very close to your monitor and shake it around a lot, and you’ll feel exactly like you’re in the theatre!

The party is just getting good, with lots of booze, loud music, and even gossip about the soap opera that is bascially any twentysomething’s life, when the gang feels something like an earthquake. They decide, for some reason, that it would be a good idea to go up onto the roof to see what’s happening, but I suppose that’s no sillier than many of the decisions made in the movies over the decades. When buildings start exploding, though, they regain some sense and take cover, just in time for the party to turn into a full-blown scramble for survival. There’s a monster in town, and Godzilla doesn’t seem so tough in comparison.
It’s a very creepy monster. Very creepy. Its legs bend in wrong directions, it looks kind of reptillian in a slimy sort of way, and it has a very large, fang-filled mouth like a Predator’s. Plus it has the audacity to knock the Statue of Liberty’s head clean off and bowl it down the street, which you may have seen in those mysterious teaser previews from before they had a real name picked out. Sometimes it thuds around making more noise than a herd of elephants stampeding through an echo chamber, and other times it seems able to sneak up on people with remarkable ease, so maybe it’s just playing with us. But it plays rough.
I’m going with three and a half idols. When it isn’t generating more nausea than an out-of-control Tilt-a-Whirl, it’s not a bad movie. The unknowns do a good job, managing not to get overpowered by the special effects, and though there are a few places where highly improbable things happen because they have to for the sake of the script, I’m inclined to forgive them for those because the rest of it seems so real. As far as the technical side of it goes, it feels like a grand experiment, and it doesn’t always work, which is to be expected, I guess, but I’m just glad people do still experiment a little, even in major Hollywood motion pictures. And now, saving the most important for last, just one more word: Dramamine.

Just kidding.
There are bunches and bunches of new tracks now online from my good friend Jon M. T. Roberts!
He’s a super-talented composer and performer, and I finally got him to go online with it all.
The music is all licensed Creative Commons: By Attribution (just like my stuff), so go and get it people!
His site looks and works a lot like mine, so there shouldn’t be much confusion. :-)
http://www.jmtr.com/
Try the “Light Intermission Music”. It is awesome.
And don’t forget to send him emails. I promised some emails… so… I need your help with that.

Or Edward and Ray’s Big Adventure. Well, really Edward and Carter’s, but we’ll get to that later.
Morgan Freeman plays Carter Chambers, a sixty-something mechanic and grandfather who gets the news one day that he has cancer — I think lung cancer, but they don’t come right out and say that. Jack Nicholson plays Edward Cole, an incredibly wealthy businessman who, on about the same day, also gets the news that he has cancer. They find themselves sharing a room at the hospital, much to Edward’s displeasure, and bond over the agonies of chemotherapy and boredom, and so a quest is born.
I like Morgan Freeman — he’s sort of like the caring uncle everyone would like to have, and he seems like a smart and nice guy. Jack Nicholson, on the other hand, is really starting to frighten me. His head looks too big, and his face seems to be contorted into a permanent expression of something between thoughtless mischief and downright evil. At one point, he asks Morgan Freeman if he’s the devil, and I had the urge to yell, “Look who’s talking!” but quite frankly, that’s kind of the way the role was written, so he’s just about perfect for the part.
He has all the trappings of wealth — a private jet, a put-upon personal assistant (Sean Hayes, of “Will & Grace”) to handle all the business of living, and a little copper thing that apparently follows him everywhere to keep him generously supplied with Kopi Luwak, the most expensive beverage in the world. (But do NOT click that link before you see the film, or you’ll spoil one of the better jokes.) Carter is solidly middle-class, blessed with three kids and grandchildren, and a wife who adores him. He’s a voracious reader, and such a whiz at Jeopardy, they really should have made that part of their quest. He could’ve won a bundle.

I’m telling you, Jack Nicholson is totally up to something.

But the point is, they make a list of all the things they meant to do with their lives, and now find themselves with very little time in which to do them. They travel the world, quite literally, stopping in France, Africa, Tibet and Hong Kong that we see, and they must have had some kind of layover in England, because they had “Visit Stonehenge” crossed off. They see the Taj Mahal and (sort of) Mt. Everest. And they skydive. I don’t know why, but for some reason skydiving always shows up on every such list. Personally, dying or not, the only way I’m jumping out of a plane is if both wings have just fallen off, and maybe not even then. Give me Stonehenge or Macchu Picchu any day.
So it’s part travelogue, part comedy, and part drama, which is normally a pretty strange and unsettling sort of hybrid, but which works here, in the capable hands of two such veteran actors. And personal assistant Tommy (or Matthew, depending on who you ask, since Edward doesn’t like real names, apparently) does a great job too, holding his own beautifully in a very low-key way even with such esteemed competition. And yes, I’ll admit it — it made me sniffle. But I wasn’t the only person in the theatre doing that, at least. Thankfully, it never quite goes as far as smacking the audience over the head with its message, which I was really worried about, though the voiceovers come close. On the whole, though, it was very well done, and I feel a little bad now that I wasn’t really looking forward to seeing it.
We’ll go with three and three-quarter idols. The sarcasm and witty exchanges (which I know I always like) keep it from getting too soppy and sentimental, and they manage not to go too far the other direction also and turn it into a really dark comedy. Nothing at all against dark comedies, but that wouldn’t have been right here, I think. So don’t let Jack scare you away; you can go ahead and see this one without worrying about having nightmares. Well, not too many, at least…

Ok, both my main controllers are out of commission still. I’m left with a 25 key mini controller.
So I made a little quirky percussion study.
Human Beat
And here’s a quick percussion bit I whipped up as a short-order request:
Asian Drums
Cheers.