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Decline

Decline

Copyright Limbo

I’m sure it is no surprise to anyone that copyright is not a simple thing. When you deal in international law, things get even worse.

As base, there are compositions that are under copyright protection, and there are compositions in the Public Domain (no copyright protection).

Public Domain

If you were to record Bach’s Brandenburg Concertos (written around 1715) – the compositions are in the Public Domain, and you can release your recording with no worries about paying licenses to anyone.

Copyright in Effect

On the other side – if you record Regina Spektor’s (who is still alive – and also quite good) compositions – you would certainly need a license.

International Limbo

And then there’s people in Limbo. “Also sprach Zarathustra” was written by Richard Strauss in 1896. That means the work is in the Public Domain in the US (and many other countries). Strauss died in 1949 – which means the work is not in the Public Domain in Spain (and many other countries).

So, if I record and release “Also sprach Zarathustra” in the US – I’m all good… until you watch it in Spain.

Let’s go to the map…

Image by Balfour Smith at Duke University
Image by Balfour Smith at Duke University

For every new color, there are some composers in a different kind of limbo.
Argentina-Canada limbo (e.g. Prokoviev) is different from Spain-Australia limbo (e.g. Gershwin).

While trying to figure out a good rule of thumb for worst-case worldwide copyright to Public Domain timelines, it becomes evident that there is not one.

You can be reasonably certain that if a piece of music was written before 1833 – it is in the Public Domain pretty much everywhere. There are certainly pieces of music written in 1910 that are in the Public Domain pretty much everywhere. There may be pieces written in 1828 that are still under copyright somewhere (I have yet to find an example, though).

I hope that I have cleared up one thing… international copyright is insane. Check with the laws in each country you plan to distribute your media.

Some or all of the information in this post may be highly wrong… I did the best I could.

Happy Bee

Happy Bee! Fun times for all… in a sort of non-threatening way.

Happy Bee
Happy Bee (Surf version)

Hitman Extended Version

I did the scoring for “Bite-Sized Minecraft 2”, and a few people have asked for bits to be released on my site.
The problem is, they are really really short.

I took one of the longer ones and made it much much longer.

Hitman

Local Forecast

There is just something about this kind of music that screams “weather forecast” to me.
Luckily, changing the tempo changes the character, so you can enjoy three different feelings for the price of one!

Local Forecast (93 bpm)
Local Forecast – Slower (77 bpm)
Local Forecast – Elevator (for when you need some music in a lift)

Happy February, all!

Great Publicity

“Will you score this incredibly complicated action movie I’m filming for my 6th grade film class? It’ll be great publicity for you because my whole class will see it – and you’ll be in the credits!”

That’s what I deal with all the time. Great publicity and $10 will get me lunch*.

Publicity Guy

If you are a content producer, please do not try to sell “publicity” to anyone. I get the “publicity” sell continuously – and what it generally means is that the product is abysmal.

Professionals understand which projects will increase their profile and which ones will not. No need to mention explicitly.

Now that I’ve annoyed everyone who has ever sold “publicity”, I’m going to go back to my music-hole and work a bit. I’ll probably not get much publicity by doing that, though. hmm…



*Please donate $10 for Kevin’s lunch.