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New Music Tuesday

Epic and Orchestral
Heroic Age – big and awesome
Constance – restrained and edgy
The Pyre – deathly serious
Invariance – 2 tempos in one file – choose whatever works for you.
Cheers, all.

Movie Premiere

Tomorrow. New York. LA. Bellflower.

In NEW YORK: ‎11:45am‎ ‎2:15‎ ‎4:40‎ ‎7:10‎ ‎10:00pm‎
I recommend this movie.
It is really good.
It is occasionally difficult.
It is sometimes delightful.
It’ll be worth your $13.
Not sure which showing I’ll be going to tomorrow. Probably 7:10pm

Big Announcement – Sort of.

PLEASE READ CAREFULLY
Yesterday, I made a bunch of new music in the style of late 70s / early 80s bad sci-fi.
Rather than posting it all here, I decided to release that music into the Public Domain.
Exciting, huh?

Public Domain confuses people. Especially on a site known for Royalty-free music. So I opened up a new site that has only Public Domain music on it.
Please Be Nice to the new site; Do not download the entire catalog today.
If the site is offline when you read this – Someone tried to download too much at once, and it was shut down.
Sorry.
There are about 400 pieces of music up there. Many of them are very similar to each other. You don’t need them all right now.
If you would like them all – email me, and I’ll get you on a list and send you a giant zip file sometime within a week or whenever I can get my act together. (it is like 2.6 gig – so also email me if you know how to move a file that big to a bunch of people)
70s Sci-Fi in the Public Domain

The Cannery

Aggressive, humorous, bright, and intense. Yeah, there is only one piece of music like this on my site… I’m pretty sure.
The Cannery

Alive!

Thanks to Matt Riley for finding this…
In the “documentary”, Alive! Is Michael Jackson Really Dead?, they used at least one of my pieces of music (Zombie Hoodoo).
You can watch it on Netflix, though I don’t recommend watching anything that starts with credits in Comic Sans… with a typewriter sound in the background.

Not sure what these are

These are both synth-heavy pieces…
Wallpaper is round and bouncy.
Cipher is lush and catchy.
The mix has some headroom in it – I recommend you turn it up to get hit in the chest with the kick drum. I might release a compressed version for people with sub-optimal speakers.
This was mixed for something like a flat full-range system. In reality, the best experience is in my studio in Brooklyn. So… let me know if you want to stop by to listen to it.