Sandy had an idea… “I need something Celtic, but nothing really upbeat.”
Ok, this one clocks in at 90 beats per minute, which isn’t really upbeat – but it isn’t slow either. I probably won’t be doing this kind of music again soon, as the number of hours spent on learning that darned whistle part almost doesn’t seem worth it.
Achaidh Chéide
Man… love that fiddle…
And having vanquished all the ethnic requests from the queue; one thing that has been abundantly clear in the last few days is that everyone wants Westerns. I’m looking at four requests from completely different people. I’ll see what I can do!

Well, I didn’t get as much work done today as I had hoped. My brand new copy of Logic Studio showed up today… and it took about 4 hours to install the thing… and another 8 hours to play with it.
Here’s what I did do…
Chris had more ideas… “the paradise cantos?”
While not exactly paradise, this is certainly ethereal… and very cantos. Maybe that’ll make up for it.
Arcadia
Jonathon had an idea… “Is there any way you could make some Maltese music?”
I have no idea. I’m not really an enthomusicologist, but I was provided with some samples.
I don’t even know what instruments they used – but I tried to get close.
East of Tunesia (as a side note to Chris, this also may be useful for ancient Sumer)
I was having so much fun with the Maltese music, I kept going… and ended up in a disco.
Balzan Groove
And now, a complaint about Logic Pro 8. There used to be a way to change the routing of an instrument. It is STILL in the interface (e.g. “CoreAudio: Inst 1”) but you can’t change it! It is greyed out, and is making me crazy!
Yes, I CAN add multiple lines routed to the same poly-synth, but muting one mutes them all, and soloing one solos them all (changing the icon changes all the icons, etc). It properly opens old projects where they are routed correctly, but seems to be confused when you change something.
Anyway Apple; I LOVE the new interface… please ungrey out that line for me.
Thanks.

Keep them coming, folks!
Forrest had an idea… “More Kevin Organ!”
Okey Dokey. Here’s some crazy funky musics with a B3 monster organ in it.
Fork and Spoon
Chris had an idea… “Wandering through the land of the dead.”
I’m not sure about you – but here’s what that sounds like to me…
Land of the Dead
John had an idea… “[I’d like something] about 4-5 minutes long, start off with a theme that builds towards the end, with a feeling of hope and potential. Something piano based, with perhaps more instruments towards the end.”
This one took longer to get than I thought…
Eternal Hope
And I actually had an idea. I’ve been seeing the “Deliberate Thought” piece show up in quite a few places, so I made a sequel by taking out all the things people like, and amping up that parts that people don’t care for. While I do understand this is possibly the worst way to make a sequel, it certainly was fun.
How it Begins
Also, for Chicagoland peeps: Get Downsized, a play I did the score for is playing for the next couple of weeks. Go see it.

That’s right, there’s no “Th”. It’s a silly title, more suited to a first-person shooter video game, but that’s good, because it’s also your first warning to suspend every last shred of disbelief. Pretend it’s an animated movie, maybe some sort of violent anime, and you’ll be in the proper mood to enjoy this.
I’m not quite sure where to start explaining, it, though. The basic plot is as simple as any video game: Clive Owen (Children of Men, now out on DVD and Blueray, so go buy it if you haven’t already) plays the first-person shooter, “Mr. Smith”, a mystery man who lives in an abandoned building with a pet rat. He isn’t so much a character as a collection of quirks (Smith, not the rat), constantly going on rants about what he really hates, like bad drivers and people who slurp their sodas; and with an apparently never-ending supply of carrots somewhere on his person. But he’s a good guy, so when he sees a pregnant woman being chased by gunmen down an otherwise deserted street, he comes to her rescue. He delivers her baby in the middle of a shootout, and things just get more improbable from there.
Yes, I said more improbable. It seems to be set in New York, certainly someplace very large and crammed full of people, and yet the main characters are practically tripping over each other constantly, no matter how far any of them run. But the point is, Clive Owen is now stuck with this baby, because mommy didn’t survive the firefight and he has no idea where daddy is. Fortunately, he knows a hooker with a Heart of Gold (Monica Bellucci) who’s recently lost her own baby and is therefore his only option for feeding this kid, because baby formula is unavailable in the greater New York area. (Just run with it.)

The film in a nutshell: Clive Owen with a gun and a carrot, about to shoot a bad guy, with baby bottles in the foreground.

And since New York is such a small town, the bad guys who want the baby also know about this hooker, and go after her, and the chase is on. Like any good video game, it gets more and more violent as you go, and I can’t even begin to guess the death total. One scene alone has fifty men killed. Mostly people just get shot, but they have some other really gruesome deaths, so I guess someone had fun thinking them up. Did you know you can kill a man with a carrot? Well, maybe you can’t, really, but you can in this movie. And they do it to me again with the helicopter blades. Again you can see it coming a mile off, though, so it’s easy to avoid looking.
Mixed in with all the improbable action are a lot of bad jokes and puns and just about every cutsey little thing they could squeeze in. I can’t share most of them here, though, since I prefer to keep these reviews rated PG at worst. Early on, though, the main bad guy, Hertz, played by Paul Giamatti (Lady in the Water), gives an example I can use: “Why is having a gun better than having a wife?” he asks his goons, and answers his own question this way: “You can put a silencer on a gun.” Not nice at all, but at least clean. There are also lots of bizarre, MacGyver-like tricks with guns and bullets and of course duct tape, black-suited government agents that look like they shuld be trying to kill Neo, and lots of stuffed dogs. Actual dead, stuffed dogs, not the kind you buy for your kids (at least I hope not).
You can see why I had trouble figuring out where to start. It’s sort of a weird mix of some Quentin Tarantino film like Reservoir Dogs, The Matrix, and a spoof of a Bond film. Especially the end credits, so stay to watch those if you like the weird opening montages for the Bond flicks. And I’m still having trouble rating it. I love Clive Owen. He can manage to make any role work, apparently, given that he has almost nothing in the way of character development in the script but still manages to do something with the character. So I can’t rate it too low, even if I did keep expecting it all to turn out to be someone’s long, drawn-out dream, because it was all just that weird.
We’ll go with three idols. Maybe two and seven-eights, because three is my usual minimum for wanting to own a movie, and I’m not entirely sure I’d buy this one. It’s got enough improbabilities to keep anyone who likes to calculate odds busy for a lifetime, enough bullets to support a third-world revolution, and Clive Owen, but overall, I’m not sure the combination really does it for me. So just remember two things: don’t take any part of the movie too seriously, and don’t ever try doing any of the things you see on screen to a real baby. Yikes.

Here’s the first batch of requests from people… They’re not all exactly as requested, and I certainly did not do them all!
Erik had an idea… “I think it would be cool of you to compose some Japanese or Chinese music (classical type music, not the modern stuff).”
Well, I don’t know anything about the genre, so I just listened to a few clips off of Amazon. I might have this completely wrong – but this is what it sounds like to me.
Ishikari Lore
Lynette had an idea… “How about some music that could go with footage of driving on a roadtrip? ”
Okey dokey. Here’s another genre I have little experience in. So, I cranked up the GarageBand to see what it can do.
Matt’s Blues
Kristin has an idea… “How about some ancient type music. Or something that’s reminiscent of the Roman Empire. Like harps and flutes in a minor key.”
This one is a quite reserved sort of formal dinner kind of ancient music feel. I still might do another one that is more militaristic.
Temple of the Manes
And, I have an extra one… “Ominous Intro“. This one was written for a stage production that opened yesterday in Chicago. So if you’re in Chicago, go see this. It is very VERY good. And really REALLY inexpensive pound-for-pound considering the enormous entertainment it dishes out.
Get Downsized. I personally guarantee you will enjoy it… and I don’t care what demographic you’re from. mmm… maybe not Goths. But maybe! If you’re a Goth, and you go – let me know what you think of it!