Work in Progress

I don’t have much to share right now (due to people hiring me for things) – but I’m working on a new piece, and I figured I would share the work in progress. She has a long way to go yet. And you get to see how changes happen over time!

Cheers, all!

Copyright Limbo

I’m sure it is no surprise to anyone that copyright is not a simple thing. When you deal in international law, things get even worse.

As base, there are compositions that are under copyright protection, and there are compositions in the Public Domain (no copyright protection).

Public Domain

If you were to record Bach’s Brandenburg Concertos (written around 1715) – the compositions are in the Public Domain, and you can release your recording with no worries about paying licenses to anyone.

Copyright in Effect

On the other side – if you record Regina Spektor’s (who is still alive – and also quite good) compositions – you would certainly need a license.

International Limbo

And then there’s people in Limbo. “Also sprach Zarathustra” was written by Richard Strauss in 1896. That means the work is in the Public Domain in the US (and many other countries). Strauss died in 1949 – which means the work is not in the Public Domain in Spain (and many other countries).

So, if I record and release “Also sprach Zarathustra” in the US – I’m all good… until you watch it in Spain.

Let’s go to the map…

Image by Balfour Smith at Duke University
Image by Balfour Smith at Duke University

For every new color, there are some composers in a different kind of limbo.
Argentina-Canada limbo (e.g. Prokoviev) is different from Spain-Australia limbo (e.g. Gershwin).

While trying to figure out a good rule of thumb for worst-case worldwide copyright to Public Domain timelines, it becomes evident that there is not one.

You can be reasonably certain that if a piece of music was written before 1833 – it is in the Public Domain pretty much everywhere. There are certainly pieces of music written in 1910 that are in the Public Domain pretty much everywhere. There may be pieces written in 1828 that are still under copyright somewhere (I have yet to find an example, though).

I hope that I have cleared up one thing… international copyright is insane. Check with the laws in each country you plan to distribute your media.

Some or all of the information in this post may be highly wrong… I did the best I could.

Great Publicity

“Will you score this incredibly complicated action movie I’m filming for my 6th grade film class? It’ll be great publicity for you because my whole class will see it – and you’ll be in the credits!”

That’s what I deal with all the time. Great publicity and $10 will get me lunch*.

Publicity Guy

If you are a content producer, please do not try to sell “publicity” to anyone. I get the “publicity” sell continuously – and what it generally means is that the product is abysmal.

Professionals understand which projects will increase their profile and which ones will not. No need to mention explicitly.

Now that I’ve annoyed everyone who has ever sold “publicity”, I’m going to go back to my music-hole and work a bit. I’ll probably not get much publicity by doing that, though. hmm…



*Please donate $10 for Kevin’s lunch.

Plaint (for Bassoon and Harp)

This is a piece for dramatic use when someone is dying or crying or both.
The high strained-sounding basson brings a calm tension, and the harp smooths it out a bit while giving some grounding.

Plaint

There is also a zip file of sheet musics available (all with accompaniment in C):
– Bass Clef in C (One octave off)
– Tenor Clef in C (Bassoon)
– Alto Clef in C (Viol de Gamba – playable as a duet with 2 viols)
– Treble Clef in C (Whatever)
– Treble Clef in Bb (Clarinet)
– Treble Clef in F (English Horn)

Go Cart – Week 2

A week ago, I posted about a new piece of music that I was going to release, “Go Cart”.
I think it is one of the best pieces I’ve done in a while, and it was a direct response to a lot of requests I’ve been getting.

Turns out, the people who were asking for this don’t donate* – quite a surprise, actually!

*The few who did donate are the obvious exception.

Why I’m pushing donations

A few weeks ago, donations hit a low. A major low. A one-donation-per-50,000-people low. That’s terrible, and a bit demoralizing.

So, I figured I’d give donors a premium, and see how popular each piece of music – is all at the same time!

If you don’t like “Go Cart”, you can still donate. Just put in the note that it is not your thing, and I’ll probably not
produce much like this (which is fine by me, because Go Cart was SUPER time consuming!).

Go Cart Super Offer

This is a brief preview of an upcoming release, “Go Cart”.
If you donate $8 or more online, I’ll send you the entire piece today in mp3 and wav format.
I’ll also send you 2 other arrangements… Drop Mix, and Loop Mix.
I’ll also send you a pile of loops that you can arrange in your DAW to make your own mixes.

UPDATE! Donation goal met for this piece!

Donate $8 or more: