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The Book of Eli

There isn’t a biblical book of Eli, so the Hughes brothers decided to create one.
Denzel Washington is what the other characters call a Walker. It’s been thirty years since the Great War was ended by the Flash, and I don’t mean the DC comic book hero, one of the few major characters who hasn’t gotten a movie of his own yet — though rumor has it they’ll fix that little oversight next year. Anyway, this Flash blinded a fair number of people, so it sounds like the burst of light from a nuclear bomb, or maybe lots of bombs, since it seems to have affected so many. And even thirty years later, if you go outside without your Ray-Bans, you’ll come back without your retinas. The whole world seems to have been baked until it looks like New Mexico — and I’m not trying to make fun of New Mexico; that’s just where they did a lot of the location shooting.
Denzel is heading west, because he has to. It’s his destiny, he feels, and his mantra is that he must not stray from the path. That path, however, gets pretty rocky when he encounters Carnegie (Gary Oldman, the voice of General Grawl in Planet 51, and Sirius Black from Harry Potter), the absolute ruler of a small town, filled with refugees from the road. It’s like an Old West town — everyone important has a gun, there are shootouts in the street, and life revolves around the saloon, where Carnegie holds court and keeps his ‘soldiers’ loyal with alcohol and women. Carnegie, you see, is obsessed with books. Actually one book in particular, but he sends his troops out to grab every book they can in hopes of finding the one he’s after. It’s difficult on the troops, though, since most copies of the book their boss wants were burned, and basically no one under thirty-five can read. Clearly, this is a Horrible Place to Live. The only bright spot is that no one under thirty-five knows what a television is, either, so at least the terrible legacy of those reality shows is gone.

book-of-eli.jpg
The movie isn’t black and white — I just liked this picture and couldn’t find it in color.

You can see this coming — the very book that Carnegie wants so desparately (we all know what book it is, but we’ll pretend and not say the name) is the one book that Denzel is carrying with him. Granted, Gary Oldman can be intimidating — he once played the vampire, Dracula himself, after all — but when it comes down to him versus Denzel, all bets are off. As Carnegie’s long-suffering companion, Claudia (Jennifer Beals, most recently of the TV series “Lie to Me”) says, “You won’t be able to make him do what you want him to do.” Claudia is blind, but not from the Flash — she was born that way, which she also says makes her lucky, in a way, since at least she was always used to it.
The lovely Claudia has a lovely daughter, Solara (Mila Kunis, from Max Payne — thankfully, now that she’s made this movie, I won’t have to mention that awful thing again), who, unsurprisingly, hates it in that town. Carnegie’s head thug, Redridge (Ray Stevenson — look for him as mighty Norse warrior Volstagg in the upcoming Thor flick), is all over her when she doesn’t want him to be, and Carnegie thoughtfully sends her to seduce Denzel, thinking that will make him stay. This, of course, is completely the wrong way to approach Denzel, but try telling him that.
Then all the fighting breaks out. Every surviving gun on the planet seems to have ended up in this one spot, including an old-style gatling gun. I wasn’t sure I was right in guessing that, but they mentioned a gatling gun operator in the credits, so that must be it. It really tears through wood, whatever it is, though to be fair, it’s obviously very old wood and probably not very well cared for. Which reminds me — I couldn’t figure out why people kept walking and driving over bridges that had literally been through a war and left to crumble for three decades, and then seemed surprised when they reached the point where said bridge actually had crumbled and they couldn’t go any further.
Anyway. I’ll go with four idols. It could be described as your standard chase movie, but it never quite becomes predictable; and yes, there are some questionable bits in the plot that I’m still pondering. But hey, filmmakers want people to ponder their movies, right? Denzel is his usual shining self, of course, and though Gary Oldman goes way, way over the top sometimes, that’s just what Carnegie’s like, and the performances overall are solid to excellent. Tom Waits (inventor extraordinaire Doc Heller from Mystery Men) is the Engineer — he seems to have no other name — and there are a couple of other quite famous faces you’ll recognize in minor roles, including one uncredited one, but I won’t mention them and spoil the surprise. Now I’m off to go find a safe place to hide my books when the apocalypse comes.

Not on the Map

This is a giant 48 minute piece. It is super ambient, and very simple. Due to its large size, this piece will not make it into my main catalog.
Please feel free to redistribute this piece to anyone for any reason.
I’m releasing this under the Creative Commons: By Attribution license in reaction to what’s going on in Malaysia and other places. Authorized agents (such as those for ASCAP and BMI) have been shaking down businesses for not paying performance fees for music in their stores.
Do they have the right to do that? Sure.
And I have the right to release music for free that anyone may use. I can’t fight bad copyright laws in countries where I am not… but I can help take money out of the existing model by undercutting them on price and ease of use.
This one is for spas and other relaxation-based areas.
Cheers, all!

Wood and Metal and Water

Ghostpocalypse

The soundtrack to the film (that doesn’t exist yet).
Ghostpocalypse

  1. Departure – atmospheric
  2. The Call – rhythmic
  3. Road of Trials – melodic
  4. Temptress – melodic with percussion
  5. Apotheosis – rhythmic
  6. Crossing the Threshold – melodic
  7. Master – very rhythmic
  8. Epilog – melodic

Daybreakers

Everyone can stop wondering what to do about the oil shortage, or the water shortage, or climate change. By 2019, we’ll all be vampires anyway, and we can all worry about the blood shortage!
They don’t give percentages, but at least 95% of the world is a vampire. Everything’s either dark or barely lit by faintly bluish lights, the rich have gotten richer while the poor have gotten poorer, and women’s liberation has gone back to about the 1940’s. (That happens a lot in these near-future flicks, though I have no clue why.) Vampirisim was also a serious blow to the anti-smoking movement — I guess if you’re already dead, for all practical purposes, why not indulge?
The last few humans are hunted so that they can be hooked up to machines kind of like the ones in the Matrix that keep them just alive enough to produce blood. Eventually, of course, these humans will die, but Charles Bromley (Sam Neill), head of Bromley Marks, the world’s largest producer of blood, hasn’t planned that far ahead and is just draining the last humans he has dry, hoping for a workable blood substitute to be developed.
Yes, there’s an obvious parallel to the real world there that we’re meant to catch, but I think it’s also a good example of the thought processes of your average bloodsucking creature of the night. Granted, I suspect Bromley (think Bram Stoker for the inspiration for the name, maybe?) was always something of a soulless bloodsucker, but overall I suspect all the tales, movies, and roleplaying games have it right — it’s a lot harder to empathize with anyone when you know your next meal is going to come from your former next door neighbor’s jugular.
It’s all terribly civilized, though, on the surface. You don’t sip directly from your former neighbor’s jugular; heavens no. He’s hooked up tidily to his machine, and you get a little splash of his Type B in your evening coffee. No muss, no fuss, and none of that silly hunting down one’s prey. That’s left to the professionals, namely the Army; of which Ed’s brother, Frankie (Michael Dorman) is a proudly serving member. But even the best soldier can’t find humans where there aren’t any, and the world is full of Blood Riots due to the growing shortages. FInally even the U.S. is running low, and of course we can’t have that.
Enter Edward Dalton (Ethan Hawke, of Gattaca, a very good movie that you should really watch, if you haven’t already), a hematologist for Bromley Marks working on the aforementioned blood substitute. Being a blood doctor in a world full of vampires should make you something like a demigod, but Ed’s just a regular guy, with a boss demanding results, deadlines to meet, fangs, and glowing gold eyes, just like the rest of us. He can’t quite make the blood substitute work, and as it happens, all that outward civilization gets ripped away pretty quickly when there isn’t a steady supply of the red stuff.

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Ed, Audrey, Elvis, and their crossbows sit down for a little chat.

Then Ed runs into (almost literally) a small group of fleeing humans, and that’s when things really get strange. He meets Audrey Bennet (Claudia Karvan, another in the long string of Australian actors who come to the U.S. so they can learn to sound American and steal all our jobs) and also Elvis. No, not that Elvis. This Elvis is Wlliem Dafoe, as Lionel Cormac, who his friends call Elvis. (Willem Dafoe, of course, is noted for being in the Spider-Man series of movies, and also for being born in Wisconsin.)
Elvis and Audrey think they might have a cure for the vampire plague — apparently that’s what it really is here, like how the zombies in 28 Days Later or Zombieland are actually sick rather than dead — but it’s a little rough around the edges and they need an expert like Ed to polish it up for them. Actually, “a little rough” isn’t quite the way to describe it. Fact is, if ever there was a case where the cure was worse than the disease, this is it.
The last third or so of the film is all about the blood. It’s everywhere. It gushes, it trickles, it drives men wild. Presumably it drives women wild as well, but there aren’t nearly as many of those around. Of course one expects blood from a vampire flick, but this is still kind of excessive. Okay, very excessive. The story’s also a little rushed in places, unfortunately; but then, it’s only 98 minutes long. I’d say that they’re looking ahead to airing it on network TV in a 2-hour timeslot, but I’m not sure that warnings would really cut it, and there’s just no way to edit out enough of that blood, I would imagine.
Three and a half idols out of five. My first thought was three and a third, but there’s a lot of good stuff that’s only touched on in the film. I’m hopeful that when the DVD version comes out, the director’s cut will be worth at least three and three-quarter idols, so let’s be optimistic. After all, the sun will rise again tomorrow.

36 Minutes.

Classical and classic-like
Habanera – From Bizet’s “Carmen”, ft Jenny Lee Mitchell
Final Count – taking off from Chopin’s Piano Sonata #2
Horror-ish
Dopplerette
Lightless Dawn
Spacial Harvest
Seventh Seal
Also added:
– Spring Thaw
– Sunset at Glengorm
– World Vice
– Terminal
– Feather Waltz
– A Singular Perversion

The MCND’s Terribly Incomplete Previews & Predictions for 2010

I haven’t yet splurged on that subscription to imdb Pro, which is where the incomplete part comes in. But I’ve crawled the net and found out a little bit about some Movies Yet to Come, and I’ve helpfully gathered it all into one place! If there’s another movie that you’d like to hear more about, let me know on Twitter (MovieCriticND) and I’ll see what else I can hunt up. These are just a few that have attracted my interest.
First up for the New Year is something that looks pretty promising, namely Daybreakers. If it’s half as good as the trailers make it look, I’ll be happy. The image of the vampire is in dire need of a remodel, and this could be the movie that makes them once again just as creepy as they should be.
Trailers for Legion have been in the rotation for a long time already — I’ve seen it at least six times, but still can’t make up my mind about it. This one could really go either way. On the surface it looks like just another man vs. monster flick, but then, so did 28 Days Later, and I like that.
Percy Jackson and the Olympians: The Lightning Thief will, I predict, be the longest-titled movie of the year. It’s based on a popular series of young adult books, and with fantasy as big as it is right now, the box office, at least, should be tremendous on this one. Besides, what teenager hasn’t occasionally wished that one or both parents were actually Greek gods?
The Wolfman gives Anthony Hopkins and Benicio del Toro the chance to do for werewolves what Daybreakers will (hopefully) do for vampires. The wolfman was never a favorite character of mine, but I’m looking forward to seeing what they do with this one. If nothing else, the transformation effects look like they’ll be horrible, but fantastic.
I’ve seen the trailer for Shutter Island even more than the trailer for Legion, and I’m starting to wish it would just come out, already. I’m also starting to wish that someone would sit Leonardo DiCaprio down for a long talk about these tough guy roles he keeps trying to play.
I saw the previews for The Crazies just once. If they show them again, I’ll have to just cover my eyes until it’s over. It’s possible this is another example of a zombie movie that rises above the usual, but I have a horrible feeling it’s just one of those movies meant to make you jump, and to make teenage girls cling to their dates.
They’re remaking Alice in Wonderland, as nearly everyone must know by now, because Johnny Depp is in it. Alice, the supposed main character, is played by a virtual unknown, because who cares who else is in it if Johnny Depp is in it, right? But he’s been looking steadily weirder ever since he played Willy Wonka, so I suppose his turning into the Mad Hatter was inevitable.
They had a (very brief) trailer for Iron Man 2 before Sherlock Holmes, for the Robert Downey Jr. fans. There’s not much there yet — it isn’t due out until May 2010 — but there was a bunch of dancing gilrs, a congressional hearing, a battle royal with what looked to be Iron Man and War Machine against a bunch of robots, and Whiplash as a villain. This character is sort of a cross between Backlash (who used to be called Whiplash) and the Crimson Dynamo, a Russian adversary of good old Shellhead’s. (If you’ve never read an Iron Man comic, all you even sort of need to know is that they’ve combined two of the villains from the comic to create a new one for the movie.)
Inception is yet another Leonardo DiCaprio film, though I’m not sure how tough he tries to be. It looks like they go all Matrix-y in this one, which is often a bad idea, but it’s an interesting concept. As near as I can tell, Leo’s part of a team that uses a new technology to enter peoples’ minds and sift through them to find things out. Now that’s a good way to interrogate someone, as long as you can get out with everyone’s sanity intact.
And when I went looking to see what other projects he might have coming up that I could mention, there were twenty-seven listed. Twenty-seven. I’m not touching those. Someone make him take a vacation. Apparently he might be in Aquaman, though, so at least he’s not sticking too closely to the tough guy roles. Hee.
Ridley Scott is also working up a retelling of Robin Hood, to go with his proposed version of Brave New World — he’s almost as busy as Leo. Mark Strong (recent Sherlock Holmes villain) seems to be a villain here as well — that’s fine. Cate Blanchett as Maid Marian — also good. But I’m not sure I can root for Russell Crowe as Robin Hood. *sigh*
And last but not least, Clash of the Titans. If you remember the 1981 version, then you’ll probably want to forget it. There was no indication of a plot in the trailer, though I doubt there’s much of one, anyway; but wow, people had fun with the designs for the creatures. They were great.
Before this gets any longer, I’ll sign off. There are so many fun things to preview, though! I’ll have to try this again sometime.